Main
Correspondence
Links
Message Board
MP3
Photo Gallery
Press/Press Photos
Records/Lyrics
Site Map
Tours/Shows
Update/News

WINTER 2001 JUNO UPDATE
-WHAT THE HELL’S THE POINT?-
photo by Arlie John Carstens

*[Over the often strange and tragic course of the last two months I’ve debated whether to post this update. I’ve been weighing the words, delaying the writing and revisiting the ideas I’ll be offering up here. I’ve wanted to see if my feelings, observations and opinions would change with time and perspective. In the process, the update has become ridiculously long. For this I must apologize in advance. If you get through all of it, well then you’re a braver person than I. I wouldn’t ask anyone to read something this long online. Read as much or as little as you can deal with. Consider it a glimpse at what I’ve been thinking about and doing lately, and not necessarily what we as a band have been pondering collectively or doing directly with our time together. I’ve got a few things on my mind. It’ll be awhile before any of us gets around to writing another update; we leave for a 5-week European tour tomorrow morning. Thank you, I send much goodwill and strength- Arlie Carstens.]

Hello All,

As I’m sure is the case with most people, I too am struggling to sort out how I feel about the September 11th attacks and subsequent events thereafter. I’m trying to do what I can to be helpful. I think it is a far better thing to be a source of calm and compassion while dealing with my sense of overwhelming sorrow, than to be emotionally crippled by these events. Its proven to be a difficult task figuring out how best to continue on with the work we do as a band while considering very seriously our commitments and concerns for the welfare of our friends, families and passing strangers alike.

When any member of our band takes on the responsibility of writing an update for the Juno website its’ always the task of the individual band member. This is why the updates are sometimes absurdly funny, occasionally businesslike, sometimes marginally abstract, sometimes just plain boring (as the case may prove to be this time around), and always posted irregularly. My band mates and I aren’t in the habit of speaking for each other. Nor are we in the habit of writing updates unless the spirit moves us, which is to say there’s little routine to how, when or why we write these things. They just happen as one of us starts to feel like there’s something to say. Juggling practice, tours, jobs and semi-serious ailments takes up a lot of our collective time.

Maybe none of this makes sense yet? Perhaps you’re saying to yourself, “(Yawning) But Arlie where the hell are you going with all of this bullshit? Get to the point already…” photo by Arlie John Carstens

To which I’ll say this: Getting to the point isn’t really the point here. Updates are supposed to be sprawling and labored, just like most things in life. This update is long for a reason. As I’ve been writing during these post-Sept 11th weeks I’ve been trying to suss out a whole mess of disparate, though interconnected thoughts. In some ways this is an update about two things:
          -Music: what perhaps is the point of making it?
          -Politics: what is perhaps the point of paying attention?

-WHAT’S THE POINT OF MAKING MUSIC? -

What is its usefulness? Are there reasons to do it beyond wanting to “have a rock and roll good time?” Can it still be a meaningful, soulful, challenging force for good and change in peoples’ lives? Is it fair to want it to be? While I can’t speak for my band mates’ desires for making our music I can say for myself that the desire stems from two (perhaps opposing though equally important) motivations:

A) Fundamentally, for the most selfish reason I suppose- I try to make music because I have stories, questions and beliefs that I enjoy exploring through music. There are events, histories, desires, joys and traumas that can be given free reign inside the world of a song. New ideas can take shape in a split second of playing or writing. Mistakes and problems become helpful insights and interesting accidents. Songs can be about anything and can be as simple or complex as the players want them to be- and this is very much unlike how life is from day to day in the world outside of songs. Music in a way is a reprieve from the real world. It is its own world with its own dynamics and shifting realities. It can then have the effect of reshaping and informing your ‘real world’ along lines that are more creative and enjoyable. Exploring the world of music that exists in your heart and mind can get you up and out of whatever circumstances you were raised into. Music can get you out into the world of the living, seeing, and creatively doing. Which leads me to other motivation for making music….

B) I see writing music, touring and playing shows as ways of building community. Music can be something that links a wide variety of people from all sorts of places and circumstances together. More specifically, I see it as a way to foster dialogues on a broad range of concerns, as opposed to simply letting movies, television and news media determine for us the emotional depth and intellectual extent of our lives. The importance of maintaining ties to a creative and intellectual community throughout ones’ life can’t be understated. Quality of life is better when your mind is active and you have people to share it with. Those are facts. Making art and music can provide for this in your life, your whole life long.

However, so as not to seem too lofty or awfully sermonizing I will gladly (and thankfully) say that touring most often amounts to an exchange of hilarious ideas, stories and shared memories- of the silliest sort. The simple and funny exchanges between friends and loved ones are what make life truly worth living on a day-to-day basis. Yet, there are always those times when being in a band becomes an opportunity to discuss more serious matters like current events, global and regional dilemmas, and the very real economic, emotional, and political tolls exacted from living in this age. Touring is an opportunity to meet local people and see with your own eyes what gets talked about on television and reported in the newspapers. It becomes an opportunity to discuss things that many ‘normal’ people in modern life try to avoid discussing because it would be unpleasant to do so. Life at home often is life in a bubble and that is no kind of life I want to live.

Suffice it to say, making music is about more than just being perpetually broke, playing shows, getting paid, driving long hours, making singles, compact discs, and posters. It’s more than amps turned to eleven. It’s an opportunity to see more of the world than you might ever come to know otherwise. It’s an opportunity to shun complacency and normalcy in favor of conversation and contemplation about the nature and purpose of life- while engaging people on their own terms and in their own environments.

Perhaps not for everyone, but certainly for me playing music has been an attempt to grow from an angry, mentally unhealthy kid into a more wise, more hopeful and compassionate adult. That wasn’t at all my goal at the outset. I just wanted to make people’s eyes and ears bleed. I just wanted to rain down terror and noise. I wanted to expose every wrong, every curse, every raw nerve. I wanted every person within earshot to feel the negation and futility in life that I felt. I just wanted to drop sonic bombs and then die.

photo by Arlie John Carstens But over the years of touring, meeting all kinds of people- good and bad, losing friends and family to untimely deaths, going through record label hassles, living all over four people in a van for months on end, and sustaining more broken bones than I can count- I’ve come to find that making music is a constant source of comfort, confrontation and education about the resilience and frailty of life. Music is about people and all of the lovely and terrible things we do to and for one another. People matter.

The events of September 11th left me feeling like a Juno Update would be trivial at best. At a time like this why should anyone care about what is going on in the life of a small band? When looking at the bigger picture the answer is that no one should care. But then, as I mentioned earlier in this Update, I pondered this awhile and came to a slightly less bleak conclusion. If I believe that the whole point of sharing art and music is to share life with others, then at a time like this it is especially important to reach out to people. Even if we don’t have the best answers, or the most profound and soothing words of comfort, we should each still attempt to find and share our own voices. In a time of great sadness and death it is always good to share life. It is good to share stories of what makes life a bold and beautiful prospect. It is good to share stories of what makes life horrible AND what makes it worth living, so that we may all take strength from one another. We can strengthen our community by sharing our joys and equally our sufferings- so that in our daily lives we may cultivate perspective, wisdom and compassion. I hope that in some way Juno is making music that matters. I hope that we’re doing things as a band that can help to build and strengthen this community I speak of. photo by Arlie John Carstens

With this I’ll tell you a little bit about our most recent:

-SUMMER/FALL TOUR WITH TED LEO AND THE PHARMACISTS-

Sometime around August 11th, our band left Seattle for a month-long tour. It was by all expectations to be just one more wonderfully chaotic crossing in a long line of many tours we’ve done in the last 5+ years. When I say “just one more” I don’t mean to imply that touring is ever boring or routine. The only predictable elements of tour-life are the drives, the illnesses, the sleep deprivation and the songs. Otherwise tour’s an ever-changing barrage of sights, sounds, people and places. We started the tour by driving down to S.F. to meet up with the INCREDIBLE Ted Leo and The Pharmacists group. Our first show was at The Bottom of The Hill. The entire evening was wonderful. We had just been through S.F. about a month prior doing two nights with Unwound and Rainer Maria at The Great American Music Hall. Again there were many familiar faces at the club. We made our way back up the West Coast with shows in Chico, Portland and Seattle before heading east across the Midwest with Ted Leo and The Pharmacists.

It would take far too long for me to go over the day-by-day highlights of the tour so I’ll just say this much- THE WHOLE THING; THE WHOLE TOUR each and every day that we were on the road with Ted Leo and The Pharmacists (Ted, James, Dave and Chris) was a highlight. Truly one of, if not THE best group of people we’ve ever toured with in Juno’s time on the road thus far. They are stellar people and brilliant musicians one and all. They were each hilarious and very kind.

The one lowlight of the tour was when our 1978 Dodge tour van, The Royal Sportsman (R.I.P.) exploded while charging down the freeway just 45 minutes outside of Minneapolis. Dead. Billowing smoke, fucking up traffic across five lanes. The culprits were a blown head gasket and a line gushing vital fluids. All to a vehicle entirely too old to fix or resell. However, this lowlight very quickly turned into one of the smartest things we ever did. I called our friend Chris Newmyr in NYC and he got me the phone number for a friend in Minneapolis named Mr. T. Kubler, formerly of The Greatest Band of The 90’s to ever come out of Minneapolis- LIFTER PULLER!!!!

Mr. T. drove out to get us in his former bands’ lovely 1992 fifteen passenger Ford Econoliner. On the spot we asked him to sell it to us. He thought it over that night as he played tour guide to us in his hometown (we had no way of making our Milwaukee, WI show, sorry). The following afternoon he sold us the van for a good price, more money than we’ll ever make as a band most likely but it saved the tour. We left the old Juno van to rot in a junkyard somewhere in Wisconsin. We were now on the road in luxurious comfort like we’d never known.

A few days later it was Ted Leo’s turn to have van problems. Their transmission went out in Cleveland and they had to rent a mini-van for a few days while it got worked on. It was grim for Ted because he had to rent the mini-van all the way up until he got done with tour and was then home in New Jersey- to then immediately drive all the way back to Cleveland to pick up the repaired van. It was a hell of a way for him to end a two-month tour. Give it up for one of the hardest working musicians I’ve ever met- Ted Leo!!!

All that said we shared equipment while they had the mini-van and we all managed to make every show. Additionally, I would love to mention that the Boston band, The Ivory Coast, augmented our last four East Coast dates with Ted Leo and The Pharmacists. Featuring Ted’s booking agent Mahmood on drums, The Ivory Coast were yet another group of excellent people and fine travel companions. Our shows together at The Middle East in Cambridge, MA and at Brownies in NYC will go down as lifelong, well-cherished memories. Good God, those shows were fun! Sold out and filled with people sweating, dancing, and singing. They were all I’ve ever longed for from the live music setting, both as a fan of music and as a person playing. During Ted’s sets I ceased to feel like the audience and the performers were separate entities- it was just one huge mass of writhing, joyous people caught up in the frenzy of music. Fucking astounding….

We then did our final three dates of the tour in DC, Richmond and Baltimore with our label mates, The Dismemberment Plan. These shows were ass-kicking as well. Especially the Baltimore show, hot as BALLZ and crazy-spastic. Lots of pals from DC came for the show! Oh shit, I can’t forget to mention the afternoon show at the record shop, Now Music. We were exhausted and dreading playing a mid-afternoon show but somehow we powered through it and it wound up being one of the most fun things we did the whole tour. I should mention that our friends from Dischord, Amy Pickering, Cynthia Connolly (!) and Ian MacKaye graced us with their charming ways. Mary Chen flew out from L.A.! She and Ryan Nelson (The Most Secret Method, Oswego, Dead Teenagers, and The Beauty Pill) got chicken from some joint up the street and ate it like a couple of horror film ghouls. Ian kept calling it, “the fucking chicken Holocaust.” They kept trying to estimate the number of slaughtered and cooked chickens that the place goes through in a week. It was grim. Once again our friends in DC did wonders for our mental health and general well being. It’s like having a second musical home. Thanks and love to all of you.

We finished this most recent trip across the U.S. on September 9th, 2001 in Baltimore, Maryland with The D Plan. That night as we were saying our goodbyes to the bands we’d been traveling with, I remembered thinking to myself that in years to come I would look back on those weeks as some of the best I’d ever enjoyed in my short life.

That night we returned to Washington DC, so that we could spend a day visiting with friends before ending the tour and returning home. Some Juno members were returning to Seattle immediately, others not. On the morning of the 10th, our drummer Greg and our borrowed bass player Jason LaJeunesse flew home from the Dulles Airport. Gabe and Jason Guyer drove the van back across the U.S. David Halloway saw me to a Greyhound station in Washington DC where I boarded a bus for NYC. I got into New York late that night after having been seated next to an amazingly kind and wise woman named Karen. She was a social worker from North Carolina. She gave me some of the best and most honest, insightful advice I’ve ever received in my life. And she was funny, truly funny. Thank you Karen wherever you are….


photo by Arlie John Carstens
-SEPTEMBER 11TH, 2001-
NEW YORK CITY

I awoke in NYC on the morning of September 11th, 2001 with the World Trade Center buildings crumbling just a few blocks away from where I was staying. From the corner of W. 19th and 5th Ave I could gaze at the destruction. I could have run down to the center of the mayhem in all of a matter of minutes. Over the next many days I watched the airplanes hitting the buildings replayed a thousand times over on every news channel on 600 channels of satellite cable television. For ten days and nights I was in New York City and it was the only place I wanted to be. In many ways I still feel like I’m there. It’s by far my most favorite and comfortable city in The United States. I’m more at ease in New York than I am anywhere else in America. While in NYC I feel calm.

Even during this crisis I felt calm in New York City. Good God, I cried but I felt calm. I walked that city like it owned me; like I was a part of it and it was a part of me. In some ways perhaps I was a part of it and still am; as fixed in space and time as is humanly possible, more able to pinpoint my purpose, my age, my unflinching mood, my clothes I wore, and the food I ate than I’ll most likely ever be able to again. I’ve been traveling to NYC 4 to 5 times a year, living and working there for weeks at a time, visiting friends and loved ones for nearly ten years. Though I was born in Seattle and live here, many of the most important events and people of my adult life have in one way or another taken shape in New York City.

And so in ways that are somewhat difficult to properly articulate I felt the gravity of the situation in New York instinctively. I felt the hugeness of the lives lost, the buildings that fell, the immediate tragedy and the resonating repercussions. I felt these things not just within myself but emanating from every person I passed on the streets, every pair of eyes I could bring myself to look into. Everyone was feeling the power of it and the infinite sorrow in it. But more than that I also sensed in people the desire to not be a slave to it, to not be crippled by it. I was amazed and humbled with this realization. This more than anything in this update is what I’d like to discuss. Helping.

Instinctively, thousands of people knew there were things we could do in order to be of some help. Help was the only reaction that made any sense. It allowed the pain and grieving to feel real but not insurmountable. Not surreal or “shocking” but real. Real in a way that made you understand immediately and irrevocably that these events would resonate throughout the rest of your life. Real in ways that would make you perhaps more somber, more thoughtful but equally stronger and more compassionate.

Every time we stepped outside onto the streets of lower Manhattan we were immediately struck with the acrid air; smelling of chemicals and burning plastics; the gray grit lodging itself in our noses and throats. Daily, I passed through Union Square surrounded by thousands of mourners co-mingling with the subway commuters, staring down Broadway toward the Financial District marveling in the absence of those two Trade Center buildings. Over the years I had grown used to coming up out of the subway and then turning in a circle to spot the WTC Towers, using them as a way to place myself on the island. And now all I saw there every day was the smoke rising, obscuring the southern Manhattan skyline. It gave me a sense of belief, as opposed to the disbelief that so many outside of New York were expressing to me in their phone calls. photo by Arlie John Carstens

“I was there” isn’t the point of what I would like to say. I wasn’t one of the people trapped in the South Tower of The World Trade Center at 8:45 am when that American Airlines flight hit the building. Or the second plane at 9:03 am. My body wasn’t seen falling from the building; a decision to jump rather than be burned to death or crushed as every floor above came crashing down. I was down the street just waking up, staring at the television screen for forty minutes in silence, tears streaming down my face- all the while calculating that I could run from the apartment I was in to the WTC in less than five minutes. Asking myself, “Who of my friends lives near there?” and “Who is at work right now?” Going bloodless once I started to add it all up. One of my oldest and closest friends lived in the shadow of the Trade Tower, just feet away from the collapsed buildings. I had no way of finding her; all landline and cell phone service was down. It was as if she had just vanished. Another friend visiting from Oakland was unlucky enough to get caught in the dust ball while running away from it. For the first couple of hours I sat there watching it unfold on television while I tried to make phone calls to sort out who was home and accounted for; mostly to no avail.

I watched an interview with a paramedic at the scene on television late that first afternoon. Both his mother and brother worked in one of the towers. He had no knowledge of their whereabouts but in the meantime he decided that he was going to help victims. He said (in the most obviously terrified though level voice I’ve ever heard in my life): “Always help when you can help. Take care of people. That’s what my mom always taught me.”

“That’s what I’m talking about,” I said out loud to myself as the tears came cascading down my face. That medic and thousands like him kept the city going. My whole life I’ve strived to be one of these people. It is this attitude that will get us through these kinds of things with our minds and spirits intact, despite the overwhelmingly negative evidence. To want to help was to understand the gravity of the situation but to not be paralyzed by it. I came to see that distance breeds inaction and a sense of detachment. Things so mighty we cannot conceive of them just vanish from our minds. We can’t wrap our heads around everything despite all of the information satellite television feeds us. Millions of Americans around the country were just watching it all unfold in disbelief. Dozens emailed and phoned me for updates. There are many even now, exactly two months later, who still cannot conceive of what went on in New York. I tell anyone who thinks they should go to New York right now that they should do so. That they see it in order to fully comprehend it for themselves. For those who can’t go or who don’t want to this is what I tell them when they’ve asked me about my experience there. [A few photos I shot in NYC have been posted with this update. More from the tour should be available soon]:

Imagine this visual: Every person living south of Houston Street became immediately homeless around 10 am on September 11th, 2001. I watched people lose their minds, their homes, their jobs, and their friends. Some of these people are my friends. Some of these friends have friends, co-workers and family who have yet to be found alive or identified in one of the orange body-bags carried to the Chelsea Piers Ice-skating rink over on the Westside. Within hours of the attacks it becomes Ground Zero’s makeshift morgue. It is real. It is immediate and lastingly real. These are facts felt in the real here-and-now and not in the abstract, not to be intellectualized in the after-the-fact. Two months later it’s still real; to my knowledge it’s still a morgue.

All across lower and midtown Manhattan shelters went up, restaurants opened their kitchens, shops donated clothes. Within hours of the attacks hundreds of thousands of New Yorkers and New Jerseyites, tourists, business travelers and foreign nationals lined up to volunteer in any and every way. Every day I would make a dozen phone calls to more than a half-dozen volunteer hotlines: The American Red Cross, The Blood Donations Line, The NYC Emergency Hotline, The Search And Rescue Line, FEMA, The Missing Persons Line, St. Vincent’s Hospital, Cabrini Hospital, etc…all in an effort to be of some use.

I went to St. Vincent’s Hospital (the closest trauma center to Ground Zero) to give blood. By the time I got there they were turning people away. The line was hundreds of people long until they’d ran out of blood-bags. Same situation at Cabrini Hospital. Within two days all blood centers were full. So I mass emailed everyone I knew around the U.S. and asked them to donate blood in their states. Within a week the nightly news was reporting that the entire nation’s blood supply was full. Amazing.

On the morning of the 14th it began raining. I took a long train uptown to the Javits Center where they were coordinating volunteers for search and rescue efforts. Having had courses in avalanche search and rescue, and many summer jobs framing houses and doing demolition projects I wanted to volunteer. As driver, an errand-boy, an anything-they-needed. I arrived to discover that within 36 hours all search and rescue teams were being manned by a volunteer force of over 7500 certified, skilled welders, construction and demolition workers (in addition to the FDNY and NYPD teams already at the scene from the beginning). Even earthquake search and rescue teams from around the world arrived within hours. All had the proper tools, helmets and clothing. Groups of workers were said to be on the pile working in 15-minute shifts. The unbearably toxic fumes it emitted would allow a worker no more. Clearing away piles of debris in the rain only served to further oxygenate the fire and created more smoke. Even all the way uptown at The Javits Center you could smell faint traces of it in the air; like someone had lit a piece of plastic on fire and was holding it under your nose.

Three foremen, all construction workers in bright yellow rain gear, were in charge of wearily answering the questions of would-be volunteers. Repeatedly and with an air of sublime boredom they yelled in loud, wise-ass, blue-collar New Yorker accents: “What part of ‘WE NEED NO MORE VOLUNTEERS’ don’t you understand?” Their tone was directed at any and all persons who looked like they weren’t a “skilled worker,” which is to say anyone without work boots, a faded pair of jeans, a hardhat and a slip of paper certifying your particular skills. On the surface one could have thought they were behaving a bit smugly or over-antagonistic. But upon further examination it was glaringly easy to read them. It wasn’t their sarcasm that made them seem bored, exhausted, angry. Rather, there was an ache they carried in their postures and on their faces that spoke to something more. This ache was what prompted their sarcasm. Intimately, they felt the painfully slow and grisly nature of the task. There was some small pride to be had in knowing that they were needed. Well-wishers and novice volunteers be damned, they wanted people with proof of experience and proper equipment. I, like so many others had arrived in a panic to be of some use. I couldn’t produce the evidence showing I was “certified, bonded or unionized.” I had no work boots on, nor a hardhat. Even if I had these things they would have turned me away, as was explained to me- I’d be getting in line behind 7500 others who wanted to do all they could. I left happy knowing that all that could be done was being done. I left happy to be useless at least in this capacity.

So I walked down the Westside Highway all the way from Javits Center to The Chelsea Piers believing I could perhaps help load supplies onto trucks coming from barges across the river in New Jersey. Nope. All supply lines had been established and manned. So I looked into running errands for the triage centers. With the exception of occasional rescue workers being treated for smoke inhalation, no one was being seen at the triage centers anymore. It quickly became clear to me that in this tragedy most victims were either spared injury, having escaped with their lives and limbs intact, or they were simply dead and so far- gone without a trace. Though many in the city were holding out hope for their friends, neighbors and loved ones- with each passing hour the information gathered at the scene of each emergency effort was leading up to one big answer.

New York and New Jersey’s Dept. of Corrections officers volunteered for the immensely difficult task of identifying the remains as they would come in. They arrived in orange body bags by the truckloads. But even here they had no need for additional volunteers. Because though the WTC buildings have as many as 50,000 workers in them on any day of the workweek, they weren’t recovering many bodies, at least nowhere near in ratio to what they knew the death toll could eventually amount to. That day, of the 5,422 estimated dead, only 110 bodies had been identified. Where were the rest of the dead and injured? The answer was not difficult to deduce. Most victims were pulverized, burned beyond recognition, turned to ash, or still buried under the debris of the attack.

Another place I volunteered was The Missing Persons Center, set up at the Armory on 26th and Lexington Ave. I had been there earlier in the week when we had been in town to play two shows during our tour. A friend of mine is the production director for a casting company. It is normally her job to location-scout venues and cast fashion shows, parties and celebrity events during things like New York’s Fashion Week. The week prior the attack she had just rented The Armory for an Ungaro Fragrance Launch Party and a Donna Karan Fall Fashion show. She had just spent $500,000 turning a beat down Army Reserves barracks and weapons storage facility into a palace replete with faux-whirling dervishes and naked girls frolicking in pools filled with pink lilies. And then the planes hit the buildings. Nearly overnight the U.S. Army reclaimed the Armory and moved 3500 reserve troops into it. And then they decided to make it the Missing Persons Center.

photo by Arlie John Carstens If the Twin Towers of The World Trade Center were what comprised the actual physical body- the heart of the attack- then this place for a time, The Missing Persons Center surely was the location of its soul. Finding neither heaven nor hell in this place, I was surrounded by misplaced souls in limbo. Souls were everywhere, the living and the missing or presumed dead. It was one of the most sorrowful places I’ve ever found myself on earth. An entire city’s grief, an entire city asking: “What happened?” “Why me?” “How?” “Where is he?,” “Can you find her?,” “What will I do now?,” “My children will have no mother now, what am I going to do?,” “Have you found my son yet?”

Over and over and over and over and over…. Day and night thousands of people came clutching photos and descriptions of their missing loved ones. They came to fill out an 8-page dossier riddled with the most basic and painful questions. They wallpapered the whole of Manhattan with ghostly images and pleas for information. Then they waited. And waited and waited…in a cluster that went around the entire city block. I went there every day for four days to volunteer. And every day I saw Mayor Gulianni come on the news to sadly and exhaustedly inform us that the possible death toll had yet again risen. He bore the burden of that daily toll like a reluctant specter of death.

In the wake of his updates I would come to the Armory a couple of times a day only to find that each time the scene had grown larger. It was a slow-simmering frenzy of the terrified and the ill informed. People spilled out onto the street and were starting to take over the adjoining blocks. A red-eyed mob of loved ones clutching those damn photographs- comprising a glimmer into the life of every person who was perhaps at, in or near the Twin Towers that day. So many people came there to volunteer that for every one of the thousands of people who had come to fill out paperwork on their missing person there was at least one to two volunteers ready to attend. There were so many volunteers that it became increasingly exhausting for those workers to tell would-be volunteers: “Sorry, we need no more volunteers.” That’s all the volunteers did after awhile.

See, once the 8-page form was filled out there was nothing more to do for anyone. No missing people were being found alive. Very few complete bodies were being recovered from the wreckage. Of those bodies and/or limbs found, most were still awaiting a positive identification- often awaiting matches with the DNA samples gathered with the 8 page dossiers. When the Commissioner decided to consolidate the Missing Persons Center with the morgue at the Chelsea Piers I recognized the significance of that gesture, both for its tactical efficiencies and for its symbolic role in the city. Anyone not living in NYC during that time during the immediate aftermath of the attacks will ever be able to comprehend the power, the sorrow and the solidarity these attacks have generated. No amount of television will ever convey the destruction, not in buildings destroyed, lives lost or lives forever altered. I didn’t fully realize this until I was on the plane back to Seattle. As it flew over this great geographical expanse we call The United States of America I physically felt a pulling away. At that time there was New York and then there was America. I felt overcome by a strange psychological distance as I got further from the source. An unsettling distance to be very honest.

I decided to come home to Seattle when Juno was asked to play an American Red Cross benefit show at I-Spy with Death Cab For Cutie and The Bronze. All totaled we raised $6000.00 that night and gave some of the proceeds to an Anti-Hate Crimes organization in addition to the Red Cross. The event brought out a strange mix of emotions in everyone. It was good to see so many friends and to feel like everyone was trying to do something to be of help. People generally were ready to cut loose and celebrate life for the first time in awhile. The benefit raised more than money, it raised people’s spirits and made them feel like they were doing something and were a part of a community again. But goddamn it was weird to be home, struggling with all I had seen and had done- compounded by touring for over a month in advance of the time spent in NYC. For the first few weeks all I wanted to do was to go back to New York. But two days after coming home I had surgery for a collapsed sinus I sustained during some trouble with a broken nose ten years ago. For years I’ve gotten recurrent sinus and throat infections whenever we go on tour. I knew it needed to come to an end when I had started coughing up blood by the end of that last tour. So I had the surgery and have been focusing on healing up and resting for our upcoming European tour. I spent a week bleeding like a wide-open faucet. I spent the next week sporadically bleeding like a leaky hose. Good God, in all the years of injuries I’ve never seen so much of my own blood. But all in all things are all right. We’ve been practicing with our friend Levi Fuller on bass. He’s just recently moved out here from Boston and has offered to come to Europe with us. He’s proving to be pretty hilarious. So things with Juno right now are good as can be I suppose. It’s raining and miserable in Seattle, amazing….Life is strange and painful sometimes. We’re all very much looking forward to this European tour….sure to be interesting given the state of the world. It will be our second trip to Europe in six months. We’ll see many of you perhaps very soon.

Have strength and take care of yourself and those you love,
Arlie Carstens/Juno
carstanza@hotmail.com

photo by Arlie John Carstens

11/12/2001 1:02:58 PM



Updates/News Library

Hello Y’all,     by: Arlie John Carstens     9/8/2003 9:09:40 PM

JAPAN 2003 TOUR JOURNAL     by: Arlie John Carstens     5/23/2003 9:23:11 AM


-JUNO UPDATE: WINTER 2002/2003-     by: Arlie John Carstens     12/21/2002 1:07:02 PM


-NEW AUGUST 2002 JUNO UPDATE/NEW ONLINE STORE-     by: Arlie John Carstens     8/27/2002 12:00:41 AM


-WINTER 2001 EUROPEAN TOUR SYNOPSIS-     by: Arlie Carstens     5/25/2002 10:48:06 PM


WINTER 2001 JUNO UPDATE
-WHAT THE HELL’S THE POINT?-      by: Arlie Carstens     11/12/2001 1:02:58 PM


Hasenpfeffer Crawfish And The Raccoon Scented Bong Water

8/7/01      by: Jason Guyer     8/7/2001 5:56:36 PM


Home Now. Back in the land of cold beer, ice, smooth armpits and eggs for breakfast.      by: Gabe     4/29/2001 9:47:19 PM


A day off 4/13/01     by: gabe     4/13/2001 12:58:13 PM


Screaming For Vengeance      by: Gabe Carter     2/27/2001 1:02:40 AM


October's heavy heavy update on the state of Juno, rock, the union, and the world. The word then, is GOOD.      by: Jason Guyer     10/27/2000 6:38:26 PM


A Brief Note      by: Gabe Carter     8/15/2000 11:56:57 PM


JUNO UPDATE: USE IT OR DON'T. I WON'T BE HURT. THERE IS ROOM FOR MORE BLOOD ON MY SHIRT.
-ARLIE
-LUNGFISH AND LILY TOMLIN RULE-      by: Arlie Carstens     7/18/2000 6:26:41 PM