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October's heavy heavy update on the state of Juno, rock, the union, and the world. The word then, is GOOD.

Last month we played a full show at Bumbershoot and things largely went without a hitch. Playing 3 new songs and a DJ Shadow cover were definitely highlights, as was the audience's participation in Arlie's incite to get everyone screaming FUCK PAUL SCHELL in unison for the benefit of posterity and all dot.com video cameras set up around the venue. Paul Schell, for those who don't know, is Seattle's mayor and recently vetoed the newly updated all ages dance ordinance without even reading it. A lot of our friends worked very, very hard getting the proposal to his desk and it arrived with almost unanimous support from our city council members. That, friends, is the kind of shit which breeds hopelessness among young people, keeps them wondering why they should even bother, and reinforces the idea that they have no place in decisions about policies pertaining directly to them. Can you say Oppression? I thought you could. With knee-jerk reactions like this, it's no wonder Seattle's all ages scene has had such a hard time maintaining over the years and is a true testament to the will and creativity of a few caring people that a scene exists today at all. Fuck Paul Schell indeed. Listen to your constituents, Paul. They are amazingly gifted, creative, responsible young people who deserve to hear their favorite bands at the very least. Why is it so hard for people in power and adults in general to remember they too were young once? And given the fact that young people aren't given the same rights and respects as adults, is it any wonder they are supposedly "hard to handle", "pissed off", or "uncooperative"? Do we really need to medicate them with Ritalin when they offer the least bit of resistance to irrational control, or does society just need a gigantic enema? You be the judge. Seattle's economy and culture have long benefited from a rich local music scene populated largely by young people and young adults. It's time the city got off our backs and let us back in the monkey house. Rest assured, Paul, we'll get there one way or another.

So after playing Bumbershoot with us (and doing a bang-up job, I might add), Nick Harmer of Death Cab somehow still wants to be in the same room with us for longer than 5 minutes and is helping us to write new material. It's been a pleasure having him on loan and we'll weep tears of sorrow when he falls back into the loving arms of his real band next month when DCFC leave for tour. But for another week or so, his ass is ours and we plan on putting him to work. Last week Gabe and I arrived to practice just in time to join in on a song he, Arlie and Greg had started shortly before. It's sure to sit admirably beside our more ponderous anthems dealing with death, rebirth, and French letters. Yes, it was an evening of good times and even soda breaks. It was the way we used to be, before all this fame, prosperity and fear of follow-ups went to our poor, tender heads. Oh those bonnie bygone days.

After some deliberation, it looks like our next album will come out on Desoto. There are tentative plans to issue an E.P. on Pacifico at some point in the next 9 months, but our next full length will be solely a Desoto release. We're psyched to be working with them again and look forward to adding another record to their fine roster. Next week we'll be recording a new single which will come out on a 4 song split E.P. with the Dismemberment plan. Each band is contributing a new song and a cover. Look for that in the next few months.

Our next 2 shows will be in November and it looks like they'll be: the 2nd at the Crocodile with Radio 4 and the Dismemberment Plan and November 10th back in Seattle at the Paradox with Karate. Our new bass prospect, Robin Washburn has agreed to fill in on bass for those shows and it should be fun. He's a great musician and an all around good guy.

Besides the odd moment of grace, we're busy working on the new songs and hauling out odd ideas for re-examination in the face of our sophomore slump. In all honesty, it's coming right along, and is markedly different from our last effort. More complex, more focused, and sometimes more languid but not sucking(We hope). Expect some of the same: Too long songs, bash you in the head fever pitched rock, along with some newer modes of travel: Weepy sans drums numbers and even a Who/Daydream Nation rave-up. Think the hot blast of Live at Leeds, the quiet incumbent of Electra-O-Pura, and our continued tendency for stretching songs into days and lengths they never should have gone to. The ghost ship is our compass, and the albatross hangs heavily from our necks.

Our European tour is slated to begin in March of 2001, and all you foreign legion types can look forward to seeing Juno in your fair cities around that time. We'll be the shabby Americans so terrified of being in your country that all we can do is bust on everyone for talking funny, all the while wishing we could understand the awful things being said about us. It'll be fun. Do join in. This will be our first swing at all you limey tea-bag drinkin', frogtalkin', goosesteppin', sausage eatin', haggis havin', all night party goin', steeped in ancient history and culture motherfuckers and we can't wait to get started. Seriously though, go easy on us as we'll definitely need places to stay and good friends to walk us through the wilds of the old world. If all goes as planned, we'll be selling VINYL copies of our first CD while on tour there. It'll be a double album and may contain a surprise or two.

Arlie recently took his bad self to NYC and upon his return has decided to grow a beard, which is coming along nicely. When asked for update contributions, he quickly fired off: "Naked old guys in the locker room after physical therapy talking to me about women, saying, 'They got you on the ropes, don't they? But I can tell you're like a camel in the desert, you got reserves, don't you?'." Wow. Gabe bought a season's pass to Snoqualmie and can hardly get enough of any episode of VH1's behind the music. Doesn't matter which one. He's also working harder than one man should playing Santa for all the hungry snowboarder kids in the wild world. I ran 5 miles the other day, got kicked offstage at the Jet's to Brazil show for taking pictures too close to the band, and have been going crazy at work. Greg's recently joined the ranks of watch wearers, is going back to school and has been steadily getting stronger. Don't call it a come back.

And finally, in regards to Death Cab, some words to the wise: Don't believe the sensitive-guy image. It's a fatalist plot designed to corrupt the minds of young, impressionable indie-rockers from coast to coast. Witness the following:

Nick is in fact a wheezing metal lord underneath his facade of niceness and humility. His weekends are spent amongst the likes of Otaku and die-metal figurine masters. He tames dragons and eats poisonous snakes as if they were spaghetti. His one saving grace is swimming 6 miles every day with a chest to prove it. Ben Gibbard is in all actuality a jock as well, possibly of the baseballist persuasion. Check his hulking physique and tall guy good looks. In all likelihood, he would have gone onto superstardom as a little league pitcher had the rock not called his name. Chris Walla is a mad scientist and womanizer who has been known to call the Mayor's office whilst ONSTAGE in the midst of a sold out Bumbershoot show to leave disparaging messages. Michael, their new drummer, seemingly the ultimate nice guy, is actually a dashing early thirties investment banker by day and scatological performance artist by night. What could be worse?

Indie rock nice guys you could bring home to mom? I think not. Be on your best behavior around these wolves in sheep's clothing, kiddies. You have been warned!

October's top twenty, in no particular order:

  1. Tom Verlaine and Lenny Kaye's "Music for silent films" at EMP's JBL theater
  2. VH1's behind the music. Any and all episodes
  3. Lifter Puller - "Fiestas and Fiascos"
  4. Simone Kredo's new monkey tattoo
  5. Extreme Bathroom
  6. Wearing a watch
  7. Gabe saying: "Bullshit, bullshit, bullshit" whenever someone lies.
  8. Nick Harmer
  9. Shannon Wright's "Maps of Tacit"
  10. Death Cab For Cutie
  11. The Paradox Theater
  12. Tristeza's "Dream Signals in Full Circles"
  13. Than Brother's Pho
  14. Kate Becker
  15. John Richard's "John in the morning" show on KCMU
  16. Top shelf lemonade
  17. "Mated" by Lungfish
  18. Hit It Or Quit It's Vocabulon
  19. Talk Talk
  20. D.C.'s own David Holloway

Juno wants to party all the time,

Jason/Juno


10/27/2000 6:38:26 PM



Updates/News Library

Hello Y’all,     by: Arlie John Carstens     9/8/2003 9:09:40 PM

JAPAN 2003 TOUR JOURNAL     by: Arlie John Carstens     5/23/2003 9:23:11 AM


-JUNO UPDATE: WINTER 2002/2003-     by: Arlie John Carstens     12/21/2002 1:07:02 PM


-NEW AUGUST 2002 JUNO UPDATE/NEW ONLINE STORE-     by: Arlie John Carstens     8/27/2002 12:00:41 AM


-WINTER 2001 EUROPEAN TOUR SYNOPSIS-     by: Arlie Carstens     5/25/2002 10:48:06 PM


WINTER 2001 JUNO UPDATE
-WHAT THE HELL’S THE POINT?-      by: Arlie Carstens     11/12/2001 1:02:58 PM


Hasenpfeffer Crawfish And The Raccoon Scented Bong Water

8/7/01      by: Jason Guyer     8/7/2001 5:56:36 PM


Home Now. Back in the land of cold beer, ice, smooth armpits and eggs for breakfast.      by: Gabe     4/29/2001 9:47:19 PM


A day off 4/13/01     by: gabe     4/13/2001 12:58:13 PM


Screaming For Vengeance      by: Gabe Carter     2/27/2001 1:02:40 AM


October's heavy heavy update on the state of Juno, rock, the union, and the world. The word then, is GOOD.      by: Jason Guyer     10/27/2000 6:38:26 PM


A Brief Note      by: Gabe Carter     8/15/2000 11:56:57 PM


JUNO UPDATE: USE IT OR DON'T. I WON'T BE HURT. THERE IS ROOM FOR MORE BLOOD ON MY SHIRT.
-ARLIE
-LUNGFISH AND LILY TOMLIN RULE-      by: Arlie Carstens     7/18/2000 6:26:41 PM