Exactly....
Hello All,As always, Juno Updates are an opportunity for individual members within the loose structure of our band to voice their ideas, opinions, politics and experiences; sometimes relating to Juno in direct ways, and sometimes only by the merest abstractions. It seems to me like time for a new Update, albeit one that doesn’t offer much more than cryptic riddles like, “We’re sleeping in public with four-track recorders. We're building sonic pipe-bombs and making lemonade with the fruits of our labors. We're swapping old shoes and slipping on new ones.” Get it? Only vague, poorly rhymed clues and idle threats this time around…and maybe just a few laughs, a handful of abstract stories, and odd concrete details.
As some of you may already know from having read our short posts on the message board over the last couple of months, Juno’s taking a break from touring and/or songwriting for a while. The last 4+ months have been time well spent to say the least. Individually, we’ve been randomly traveling to far away places, working our asses off, reading lovely books, exercising, listening to every record we ever bought but didn’t have time to really sit down with, watching bad movies and fine films, eating food prepared not in squats or roadside diners but in our own kitchens, writing music for side projects, skateboarding, shooting photos, and buying guitars and all sorts of recording gadgets…. all the while imagining what may come next in the life of Juno.
As an aside bit of Juno trivia, it's a little-known fact that Lay Down In The Center of The Action came in as runner-up for the title of our most recent album. Given the routinely saturnine circumstances of our lives I’m sure in some ways that would have been just as fitting as A Future Lived In Past Tense. Maybe we’ll use it the next time around. Third place went to Living The Dream…which is still one of my all time particular favorites. If you're in favor of either title please consult Gabe. However, let me throw out a hot tip- he's currently thinking of naming the next recording something having to do with his new obsession, "human hair." Creepy. I'm all for it.
All right, time for the skinny on our label situation. There’s been a great deal of speculation about the continued existence of DeSoto Records. Many people have asked us if it’s defunct. Some have argued that it’s still alive. Some suggest it’s slowly on its way out. All of the above rumors have been more or less true and more or less incorrect. Thanks for all of the concerned emails and interview questions. Certain aspects of the situation change from month to month but as far as we know here’s what’s happening:
I’m not exactly sure in which one but at some point in a Juno Update nearly a year ago we may have mentioned that Kim Coletta, DeSoto’s owner, sent a mass email out to many of her bands on Oct 12, 2001. In that letter she let us know that she had decided that she was going to slowly fold her label. After more than a decade of working with some great bands and putting out many truly amazing records, she was deciding to move onto new pursuits. It made perfect sense to us and didn’t come as much of a surprise; Kim's been mulling it over since well before we even recorded This Is The Way It Goes and Goes and Goes. But now it was finally happening for real and it felt like the right time, we were excited for her.
Because see, Kim and Bill had recently had their first child, a beautiful boy named Nick. Understandably so, it was time to focus on other things. Kim said she would continue to support the newest albums by the bands on her existing roster (Burning Airlines, Juno, Dismemberment Plan, Shiner, Eternals, et al) but she had no plans for future releases. She recommended to her DeSoto bands that we all start putting the word out to other labels. And she said that she would give everyone a hand with the task of finding new label homes if we asked for her help. Great. Recently, she’s done a short interview with the good folks at Pitchforkmedia.com where you can read all about it in her own eloquent and entertaining words: http://www.pitchforkmedia.com/news/02-07/31.shtml
So it shouldn’t take a rocket scientist to figure out that after five tours over the course of almost seven months we thought it would be wise for us to come home, take stock of our situation, get our bedrooms in order, do our laundry and eventually begin the always-interesting experience of finding a new label. I don't make this statement sarcastically or with trepidation but with a great deal of enthusiasm. Finding a new label is good. Change is good. So yup, we've been talking with a few friends-who-own-labels and a few label-labels about whom we might work with on our next recording.
As well may have been mentioned in one of our past Updates, when Kim talked to us again in January 2002 (a month or so after we returned from our second European tour) she very generously offered to give Juno our two albums back once she’s sold through her existing stock, (A Future Lived In Past Tense & This Is The Way It Goes and Goes and Goes). Occasionally the planets and stars align.
Kim suggested we either re-release the albums ourselves via our own label, or we could license them to another label. This way our work will stay in print and will continue to be distributed and promoted on an active label, rather than being difficult-to-find back catalog on the defunct DeSoto label. AFLIPT has only been out a little more than one year here in the U.S., and less than a year in Europe, so it would be a shame to see it vanish so quickly. Thanks to Kim’s generosity this will ensure that it doesn’t.
So accordingly, figuring out what to do with our existing catalog has commanded much of our attention during the downtime from touring. As of today (Aug 19th, 2002), DeSoto has very few copies left, (between the U.S. and Europe less than 800 copies of each title). Which in a roundabout way is great news. As soon as those remaining copies have gone the way of the carrier pigeon, something very nice should happen. We’ll keep you posted.
And so with all of those possible Juno/label changes in mind we're happy to finally announce that you can now order Juno releases online through our own private store powered by MerchDirect. Too true, it's been a long time coming. Just click on the Merchandise link on the site’s main page and the store should open up. Inarguably, we’re jackasses, we should have had an online store years ago. But to be honest, with the amount of focus we've always dedicated to writing songs, recording and touring, it would have been impossible for us to get people their orders on time. In years past what should have amounted to only a few days or weeks delivery would’ve taken more like 4 to 6 months at our sloth-like pace. But not anymore, the store is up and it seems to be working pretty badass from what I can tell.
I want to talk about this because this shit is genius. See, it's like this, while in New York after tour a couple of months back, our friend Teeter Sperber introduced me to her friend Lee. We ate dinner at some dark dive in Lower Manhattan and talked about this new company that he and a mess of other computer savvy DIY punkers/musicians were starting. It sounded like an excellent resource for independent bands and their listeners. It's an idea that deserves to grow. So I passed the info along to Gabe, he further sussed it out (solid) and now this is what they’ve done: The company’s built a Juno online store into our existing site: bosski.com/juno.
They’ll maintain all aspects of our Juno inventory: stocking t-shirts, buttons, stickers, cd’s, vinyl and 7” singles. As well, MerchDirect will take care of billing and shipping, etc…. which rules, because this way the site is more secure and efficient than we could possibly have put together ourselves.
As of this Update the online store’s layout is spartan but it's got most everything on it. Any materials it lacks we’re quickly trying to gather up from various sources. Including some hard-to-find 7” singles and a few more copies of the rare Europe-only Modern City Records double vinyl releases. Soon we’ll have a new Jason Farrell designed t-shirt (you all may know him as the graphic designer and heavy rock genius behind Bluetip, Swiz and now, Retisonic www.retisonic.com). Eventually we’ll have other assorted oddities, t-shirt designs and maybe even a few side project recordings.
*[By the way, the amazing Teeter Sperber and her equally inspiring sisters, Heather and Amy, have a cool handbag company called 31 CORNLANE, based out of Brooklyn, NY. This is what the Sperber Sisters have to say for themselves: “We wanted to start our own company and decided tote bags was the way to go!!! We support independently made rock, rock independently made totes..." I highly recommend taking a look at their site: www.31cornlane.com ]. It is beautiful. They are not fucking around.
Apart from posting those huge European Tour Stories and Photos, the task of getting the Juno online store up and running is by far the most public thing we’ve done these last few months. It may seem inconsequential. It may seem excruciatingly geeky to be so pumped about it. But fine, I don’t give a flying fuck at a rolling donut if it is. I care that we don’t shove our music down people’s throats a la` Clear Channel. But with that said, I also believe that people who want to enjoy our music should be able to find it without too much of a struggle. If people ever have a difficult time finding our work anywhere in the physical world, then at the very least they should be able to find it nerd-style on the “Interweb.” And then it should be delivered to their homes hassle-free within a few days. Anywhere in the world. Period.
Even in our own hometown of Seattle people have often had a difficult time finding our music, which is absurd. If I had an acre of land for every time someone emailed us to say that they couldn’t find our records in their local indie shop or chain store, well then…let’s just say I’d own the entire surface area of this godforsaken country. Which is b-u-l-l-s-h-i-t.
From all over the U.S., Europe, Japan, The Philippines, and South America we fairly routinely receive message board posts and direct emails from people asking us questions about where they can find recorded materials and various other Juno-related things like…. t-shirts, blood samples, hair, suggestive photographs, stickers, first born children, buttons, recipes, finger nail clippings, vacation suggestions, shants, bed linens, flossing tips, favors, financial advice, money, guitar tabs, arguments, Internet service providers, mental health recommendations, so on and so forth…. You know, the usuals.
But quite simply, without: 1) active label promotion of our releases and 2) continued touring, there hasn’t been very much we've been able to do to get people the things they want. I apologize for that but like tsunamis and plagues of locust, sometimes these things happen. It’s not the hard and fast fault of any one person or entity, it just happens.
And with that I'd like to address a few emails and message board posts that have come up in recent months. Dear Atlanta, Georgia, why so mad? I'm sincerely sorry we're not playing for you this summer. It would have been a joy but sometimes it's good to stop for a long rest. We'll try to see y'all soonish. To Missouri- Ms. Lady, thanks for the snapshot but I have one question: when photographed naked why bother wearing the socks? To Montana- finish parole, stay out of trouble and yes, start a band. To Ireland- Simon, I'm sorry we didn't get a chance to play that night at Whelan's. But sometimes things are beyond our control. Otherwise, yes, we had a wonderful time in Dublin, in every way. Even though we didn't play it was well worth the trip. Hopefully, we'll make it up next Spring, maybe. To Norway(?)- I have no idea where you'll find videotapes of our performances across Europe, particularly that notorious last night in Amsterdam at the Paradiso. If anyone has any leads please let this person know. To Texas- We played outside at Emo's in Austin, hotter than hell. You saw the Human Rights sticker and then emailed us about it. Kid, have strength. You can be anything you want to be, and you can love who you want, however you want. That's not gay or straight politics talking- That's punk rock. Be who you are. Keep time with people who will love you for who you are. To Boston- St. James, thanks for all of your kindnesses to us over the years. Honestly. Congrats on marrying Susan and building your home. The life you're creating together is a rich and beautiful thing. And thanks for the heads up on The Chameleons tour! To Louisiana- you'll soon be able to find some of our singles on our online store (in the meantime, Sebastian Sterling, wherever you are- thanks for pointing this person in the right direction). To Brazil- I hope you got that package Gabe said he was going to send you. Thanks for offering to play our songs. Sorry for the delay. We no longer have your email address, if you read this please let us know you received it. To Japan- Hiroshi and Takuya, we look forward to seeing you, NAHT and Blasstwolicks in the coming months. *(These are just a few of the ones that have popped into my head at the moment. Some of these folks we've emailed back promptly, others we may have missed. And some we have an ongoing, sporadic exchange with every few months. To all of you, thanks for writing to us. )
There you go. Up until now, all I can say is we’ve tried to point our listeners in the right direction and have hoped for the best. We have no much vaunted "street teams" on our side, but in our own strange way we've attempted to build a community around our music. For those of you who've ever read our Updates then I’m sure that I’m probably not saying anything most everyone doesn’t already know. But as is the case for almost all punk/underground bands out there in the world of indie record shops & small distributors, it’s sometimes a long and lonely hunt for the relatively elusive Juno recordings. Searches often ultimately end in finding, well frankly, zilch. Which is a drag all the way around. We make this music with the intention of having people hear it and share it with others. We make it with the desire to watch it grow and become things that none of us could have ever predicted in its creation. Because that in part is what makes it art. If it exists in a vacuum then it's just a hobby. Fuck that. We would like people to hear our music. But for us this is not merely a matter of commerce. More importantly, it is our creative life; it is the positive (and sometimes negative) thing that makes living a more unpredictable, purposeful and rewarding prospect. I’m talking about fun. Knowing that we can share what we do with people simply makes it more fun. Nothing lofty, nothing philosophical about it. Making music and sharing it with people should be fun. That is what I'm talking about.
If you can’t find our material in your local indie record shops or chain stores right now, please use the new Juno Online Store to your heart’s content. And feel free to give us feedback on things we can do to improve its service & inventory.
Our recording processes have always been intensely focused affairs of the heart and mind, (i.e. a complex of marathon nightmares). As our tours have always been ragged, broke-ass, all out warfare (the casualties as often being ourselves as the hordes we descend upon). Our rest has been much-needed. Our nap has been a long time coming. And, to be honest it will continue for at least a few months more.
A couple of months ago, as a way to tide people over during our ongoing hiatus I wrote an ass-load of tour stories from the last trip through Europe and posted a jumble of photos to the band’s website. I couldn’t have done it without Gaynell and Thad, our web designers. Thanks to both of you. You put in a lot of hours on something that at best can only be defined as a labor of love. Thank you.
To our listeners & readers: Possibly corny as it sounds, though we’re still “on hiatus” from touring, that doesn’t mean we’ve stopped considering the people who support the work we’ve created. The European Tour Stories were my way of giving people something they could casually read and hopefully enjoy while we’re busy vanishing into the ether for a while. It wasn’t like posting rough sketches of songs, or piling up a stack of live tracks and digi-camera videos from our tours, which in some respects would have been a whole hell of a lot easier (and I’m sure some of you would have appreciated that more). But more so, I tried to give people a glimpse into our lives and our music while on the road. I’ve received an avalanche of positive emails from people about the tour stories. Thanks for taking the time to read. That was a lot of written mayhem to digest. Gold stars for robot boys and girls everywhere.
Despite the mythology, being in a band on tour isn’t A) often, B) always, or C) ever: piles of cocaine and rampant sexual antics night after night, (unless you’ve got obnoxiously overblown financial resources, limited self-control and mad-clout with the masses- and then it’s another matter entirely, R.I.P. Keith Moon & John Entwistle, you were giants of brave excess and musicianship). Naw, for most bands- touring is making art, meeting new people, seeing new places and simply finding out over and over again if you’re strong enough to thrive in an environment where with every minute you’re newly asked to weather ever-increasing hardships of exhaustion and poverty that come with a life in music. It’s a hilariously aggressive exercise in self-immolation and humiliation from time to time, creating what can only be described as an exasperatingly deep dissatisfaction with yourself and everyone else in the immediate vicinity. And yet, at the same time, it is this very same dissatisfaction that makes the whole thing worthwhile; you see life for what it is, for what it isn't, and most importantly for what it can be if you are only willing to swallow your misgivings and plow on ahead through the darkness. Under these circumstances we're not always the people we would most like to be to ourselves and to those around us; the conflicting daily rituals and shifting comfort zones make it an impossible challenge for even the most patient and forgiving souls. But quite often it is perfection; touring and playing music are the most engaging, fall-down-funny, intelligent, physical, animal experiences I can think of. To fully know the rewards (and the damage done) will require a lifetime of reflection. I will now tell you a few stories; a quick collection of abstract mental snapshots from life on the road over the last few years.
Sometimes you wind up in the lap of luxury, astounded at your own good fortune- asking yourself, “What did I do to deserve this? How did I get here?” The answer is: You earned it. You earned it as honestly as many people will ever earn anything worth having in their whole lives. Often more honestly and more worthwhile. You wrote a mess of songs, you lived on floors covered in other people’s refuse, you froze your ass off, you ate next to nothing, you slept not at all, you performed in front of alternately excited or apathetic and hostile crowds from one end of a country and back again a zillion times, and for every dollar you earned you spent or lost $100.00. And you lived to tell about it.
So yeah, when some random weirdo in Las Vegas tells you his dad is a professional gambler for the mob and then asks you to stay over at his family’s dilapidated desert mansion- HELL YES, YOU STAY THERE!!! Take a dip in the pool. Sleep till 9 am, eat a few olives, make an omelet and watch some cable TV. Because yes, goddammit, you earned it. Whatever you do, keep one eye on that sister of his. She looks crazy enough to kill a couple of people just for the sport of it. For all you know Dad wasn't away at the casino, most likely he was six feet under outside next to the pool. Even when the place has that sort of a vibe, just roll with it...pop a few olives and do some laundry. Be cool, don't make a mess or place too many demands. And always be sure to say thanks...and mean it. Because without these people, even the crazy ones, life on the road just wouldn't be as interesting or occasionally comfortable.
And then other times you don’t get the lap of luxury. Uh, no, people. Nope. Sometimes not at all. Aw shit, you almost never get the lap of luxury, let’s be honest. Often you get the whole bull, the horns, the balls and the bullshit. Sometimes you have truly bizarre and wonderful chance meetings with interesting, albeit occasionally horrifying and tragic characters. Sometimes you walk down an unfamiliar street at 4 am in a well known violent part of town (well known except to everyone but your self of course...). Sometimes you just hope you’ll get out of the club without scabies or a slit throat, (because that Louisiana vampire dude with the sores all over his neck offering you a “bump” from his 8-ball looks like he could put the hurt on you somethin’ fierce in the next half hour). But you take your chances and opt to decline, knowing it’ll get ugly either way. Because that’s how these things go, they get ugly regardless of whether you decline or accept. He knows it. And more importantly, he knows you know it too. The only one who doesn’t seem to get it is his fidgety, half-dead girlfriend with the wandering eye and antagonistic smear of a mouth (if the chain-smoking doesn't get her, eventually the 8-balls and heroin will). Sure enough it gets ugly. Priceless but ugly.
And then sometimes things are just so wrong and yet so comical; the small things that should not be but are and there is no getting around them. Occasionally one is struck with the overwhelming sense that this whole life is a universal joke gone awry. An in that moment if one starts laughing he may likely never stop. Like that time when a smug Chicago-stockbroker-ex-brother-in-law-of-your-bandmate’s-former-girlfriend came to your show and said, “Gosh, being in a band seems so easy, it’s not like this is a real job. I mean you just get to drive all over the place playin’ music and getting’ laid! What an easy life, you guys got it made. Have fun while it lasts, sheesh, wow! You guys got it easy!!! Wow! Well hey, I gotta be at my real job early in the morning, so hey, gotta go! Yeah, wow, hope you sell a million guys….”
He stood there yappin’ his fat face off on the sidewalk out in front of the club, stunning in his tan Dockers and braided leather belt, nonchalantly swinging the keys to his renovated loft and high-performance German automobile. You stared at him blankly; it was all you could do not to laugh like a lunatic on a high bender. Instead, you stared expressionless, fantasizing about how you’d love to just take the face off that bastard with one great big kiss, inhaling his idiocy until you’d suffocated his lungs and swallowed him whole into your belly. You wanted to step on puppies right in front of his big, soft, stupidly self-satisfied face just to show him something fantastically awful. But you didn’t do it. Because you like animals. And because the show that night was awesome. Life at that moment felt pretty goddamn great and pretty goddamn terrible for the good ol’ Juno boys band. You tell yourself that your life is at least better than the life tucked away in that braided belt at any rate….
Yes indeed…. Assumptions and assholes. Hookers, drug dealers, Denny's, Fresh Fields, lying asshole mechanics, kindly tow-truck drivers, pimps, gangsters, white belts, punk belts, romulans, cartigans, harsh metal dudes, sweet southern belles, "art-scenester-intellectuals," sub-morons, abused kids and housewives, suicidal teen-agers, attack dogs, dead dogs, baby kitties, lamas, simulated wood-grain paneling, ceiling fans, failed air conditioners, shag carpet, fragrant flowers, other men's urine, hot tubs, inflatable mattresses, cars, trains, planes, vans, skateboards, bicycles, bums, beautiful ladies, dead socks, handsome fellas, bitter pills, unbearable bastards, redneck boyfriends, estranged girlfriends, human feces, stalkers, straight politics, queer politics, racist politics, green party politics, conservative politics, liberal dogma, republican war-mongering, misguided patriotism, geo-positioning systems, moral bankruptcy, modern miracles, microwave ovens, George Foreman grills, poverty, popsickles, thunderstorms, terrorists, cell phones, flat tires, set lists, stage plots, broken tube amps, electricity bills, tough practice spaces, too many guitars, not enough guitars, foreign languages, fancy currency, terrible coffee, insomnia, sleep deprivation, weekly paper music columnists, shiftless publicists, saintly publicists, fat cops, lazy lawyers, conservative farmers, lovers, friends, family, foes, foot fungus, self doubts and universal truths....on and on and on....and on and.... Unexpected joy and generosity. It’s a mind-fuck every day. Sometimes it’s new and exciting; sometimes it’s just monotonous. Always requiring daily re-evaluation. Always demanding more persistence and determination that you ever thought possible. Greater reserves than your conscious mind can fathom. And sometimes when those reserves are depleted you must lie down for a time. You must rest in hopes of recharging your physical being and your creative self. You need to do things of lesser consequence than playing music and sometimes things of even greater importance. Sometimes it lasts a few days, sometimes a few months or years, or even the rest of ones’ lifetime.
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So I will end this Update with a remarkable letter we received from a nice person named Allison in Vermont. This letter is amazing. So amazing in fact, that I initially thought it might be a hoax. Have no fear; Ms. Allison gave us her consent to publish it unaltered. We’ve never met her. But she’s a real person out there in the world who occasionally listens to Juno songs as the soundtrack to her life and most bizarre thoughts. Astonishing. Allison, wherever you are now- thank you. Your story has everything! A great, incredibly creepy story! A boatload of good questions! A whole bunch of talk about your favorite bands! A mess of totally implausible but true-life events! It’s got humor and goodwill. It’s got style! The letter perhaps most of all has got hope and encouragement. Thank you. If we can keep everything on course, at some point during the fall we’ll schedule some recording for an e.p. And then we’re touring Japan in January. To all the rest of you, thanks for reading. Politically and physically it’s a very dangerous world right now. Be a source of calm, creativity and goodwill. Try to take care of each other.
Best Regards,
Arlie/Juno
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Subject: about this is the way it goes Date: Wed, 7 Aug 2002 14:26:01 EDT
Oh my. this is really stupid on my part but I didn't realize that you were still around. I had a taped, taped, tape of a tape of yours that I fell in love with. It was in a box of stuff I was getting ready to send an ex. I listened and it was unmarked so....I didn't even know who was making the music to begin with. I had just moved to this small town in the mountains of Virginia (job transfer) and it was snowing and I knew no one and I was wondering what I did. All I did on my days off was drive around and listen to that tape. I swear I could probably play all the parts by heart if needed.
I’d always hit track 9 (mp3 873KB) about the time I got to this telephone substation. Everyday I see this place and there were never any cars in the parking lot. the strange thing was that it was right next to a graveyard. the graveyard was small...maybe 50 or so graves..and it backed right up to the wall of the substation. It just made sense to me that since there were never any cars at the place that the dead people in the graves must run the telephone substation. It developed into this whole idea I've got now that we always chalk it up to fiber optics and shit…but it's really dead people taking your voice from one end of the line to another. I decided that this must be one of the jobs you get when you die. My friend asked me who decides who gets what job when you die. I think it's post mortem lottery perhaps. But...another thing that the ghosts do are those 'automatic' doors at Walmart and places like that. no…not electronics...ghost technology I say. ghost doorman duped by the post mortem lottery. that is what I thought of for your track 9.
So....finally the ex ( who moved to providence , RI ) came for a visit and said...oh...that's Juno. he even gave me the CD because he'd grown out of it. he said he didn't think you guys were around anymore and that you only had the one cd out. I never really looked into it further. Oddly enough..there is a song on the taped tape that is not on your CD.....it says something about "fashion bleeds...something something....spitting fire, in the eyes…of the least suspecting patron..."it has kind of a military cadence to it. It is so very good...do you know what it could be? Anyhow. It's my fault completely for not investigating this further....But, I always forget what I'm looking for the moment I step foot in a record store anyway. So. I can't say enough how fucking excited I am to see that you are still making music. Thank you so much. I think I would've had a very miserable experience if I hadn't lived in your cd for the first few months of my move. thank you thank you thank you. I appreciate that you do this for us to consume. It really means a lot. I'm just so perplexed by that whole creative process anyway. Plus, I grew up listening to such different things. I think around 11 was when I developed my own sense of music. I grew up listening mainly to Bowie (and his incarnations) Cocteau twins, Dead Can dance, cure, felt, kinks, buzzccks, exploited, joy division, gg allin, swans , this mortal coil, current 93 , psychic tv , death in june , X ...things like that.
So...being 28 now…I get really excited when I hear something new that I can get lost in. It's like that CD gave me a whole new realm of music that I'd never been exposed to before. It's almost like an addiction because i fear the day I can't find something new that makes my mouth water. it's getting harder and harder. It's funny because I find that like my Bad Brains of the eighties is like my dad's Dion of the 50's. Oh well. the purpose of this email is simply to thank you. I would also like to know your top 5 albums ever...or of 2002...whatever is easiest....just so I might learn of a new band or two to check out.
thank you in advance, Allison
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